Lizzie Black
Painting within the landscape is an utterly absorbing art
practice. By working onsite my aim is not to copy, but to find a way of
communicating experience. This might be the physical activity of movement,
sound, wind or light changes. In some respect I seek to unlearn what I know and
describe the subject objectively and without prejudice.
Preparation is crucial with a trolley loaded with an easel, pochade box, paints, rags, brushes, canvases sun hat etc. Painting outside brings with it a certain ceremony and protocol. I am aware that if I forget just one item then the trip has to be abandoned. The scene changes constantly. While out painting, the wind is the most tenacious trickster. It can upturn the easel or even blow the canvas away and face down onto the sand.
I am happiest out painting every day, being constantly inspired by the surrounding landscape of Cornwall, and feel privileged to live and work where I am.
